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Books on Typography
When Mac McGrew moved to a smaller apartment in 2005, he had to dispose of a lot of saved material from his career, including his library of well over 500 rare typographic books. He had planned to donate the collection elsewhere, but because of duplicates that they have now, he took their recommendation and donated the books to The Museum of Printing in North Andover, Massachusetts, near Boston. This is a major collection, listed in Annenberg’s Type Foundries of America and Their Catalogs. One ninety-degree weekend, Jon, Lucinda, Larry, and Gardner LePoer, then the Executive Director of The Museum of Printing, packed and loaded those books into a truck for transport to their new home. These books are part of the material that was used to research details for his book, “American Metal Typefaces of the Twentieth Century.” It was important to keep these books together as a collection, rather than selling them off individually. This collection is now available to others for their own research work. |
| Description | Size; Details |
|---|---|
| (LUDLOW): William A Reade 1866-1930, Private, Chicago, 1930 | 8¼x5 (B-3) |
| ACME TYPE FOUNDERS: Type c1984 | 10¼x4½ 104+C (A-1) |
| ACME TYPE FOUNDRY: All-Slug Type Faces c1952 | 9x4 128+C (A-1) |
| ACME TYPE FOUNDRY: 1-line Showings c1964 | 6fold to 9x3 (A-4) |
| ACME TYPE FOUNDRY: Foundry Type 1939 | 8¼x4½ 144+C (A-1) |
| ACME TYPE FOUNDRY, Acme Type, Catalog #10, 1960 | 11x8½ (C-2) |
| ADVERTISING TYPOGRAPHERS ASSN: Standard Type Book sample pages | 7 lvs punched for LL (A-1) |
| ADVERTISING & PUBLISHING PRODUCTION YEARBOOK, Sixth Annual, Colton Press, NY 1940 | 11x8½ (B-1) |
| AGNER, Dwight: The Nightowl at Ten, Press of the Nightowl, 1975 | 7¼x5½ (B-3) |
| AIGA, Updike American Printer & His Merrymount Press, 1947 | 9½x6¼ (C-3) |
| ALLEGHENY LUDLUM STEEL CORP: Stainless Steel Handbook, Pittsburgh 1951 (des by MFM) | 10½x7¼ (B-1) |
| AMERICAN TYPE FOUNDERS, American Line Ty pe Book, Pittsburgh 1906 | 10½x6¼ (C-1) |
| AMERICAN TYPE FOUNDERS, Supplement to American Line Type Book, 1909 | 10¼x6¼ (C-1) |
| AMERICAN TYPE FOUNDERS, American Specimen Book of Type Stryles, Jersey City 1912 | 11x7½ (C-1) |
| AMERICAN TYPE FOUNDERS, Decorative Material, c1907 | 10¼x6 (C-1) |
| AMERICAN TYPE FOUNDERS, Specimen Book & Catalogue, 1923 | 10x6½ (C-1) |
| AMERICAN TYPECASTING FELLOWSHIP: Thompson Middleton Hammer Goudy 1980 | 11x8½30+C (A-5) |
| AMERICAN TYPE FOUNDERS, Book of American Types, 1934 | 11x8¼ (C-1) |
| AMERICAN TYPE FOUNDERS, Legible Sans-Serif Types by Bernhard, c1931 | 12x9 (C-4) |
| AMERICAN TYPE FOUNDERS, Rockwell Antique, nd | 12x9 sheet (C-4) |
| AMERICAN TYPE FOUNDERS, The Book of American Types, 1941 | 11x8¼ w/supplement enclosed (C-1) |
| AMERICAN TYPE FOUNDERS, Oxford Series, nd | 12x9 (C-4) |
| AMERICAN TYPE FOUNDERS: Goudy Extrabold & Italic c1930 | 12x9 24+C (A-1) |
| AMERICAN TYPE FOUNDERS, Interrelating Typographic Borders, nd | 12x9 (C-5) |
| AMERICAN TYPE FOUNDERS: Looks Plus 1944 | 8x5 30+C (A-4) |
| AMERICAN TYPE FOUNDERS, Design with Type Planning Book, 1955 | 11½x9½ loose leaf (C-1) |
| AMERICAN TYPE FOUNDERS, Caslon Italic No. 540 & Swash Letters, c1927 | 18½x12¼ (C-4) |
| AMERICAN TYPE FOUNDERS, Novel Gothic, nd, 12x9 (C-4) | |
| AMERICAN TYPE FOUNDERS, The Book of American Types, 1961 | 11½x9½ loose leaf (2 copies) (C-1) |
| AMERICAN TYPE FOUNDERS, American Caslon Italic, nd | 12x9 (C-4) |
| AMERICAN TYPE FOUNDERS, 6 Stymie Types, nd | 12x9 sheet (C-4) |
| AMERICAN TYPE FOUNDERS, Stymie Inline Title, nd | 12x9 sheet (C-4) |
| AMERICAN TYPE FOUNDERS, Goudytype, 1928 | 12x9 (C-4) |
| AMERICAN TYPE FOUNDERS, The Book of American Types, 1968 | 11½x9½ loose leaf (C-1) |
| AMERICAN TYPE FOUNDERS, Alphabet Cards nd | 7½x10½ c110 loose cards (in env) (C-1) |
| AMERICAN TYPE FOUNDERS, miscellaneous booklets & folders in box file (C-1) | |
| AMERICAN TYPE FOUNDERS, Raleigh Gothic Condensed, c1932 | 12x9 (C-5) |
| AMERICAN TYPE FOUNDERS, Two-Series Modernage Typography, c1930 | 12x9 (C-5) |
| AMERICAN TYPE FOUNDERS, Cloister Lightface, nd | 12x9 (C-5) |
| AMERICAN TYPE FOUNDERS, Garamond, 1925 | 12x9 (C-5) |
| AMERICAN TYPE FOUNDERS, Garamond Italic, nd | 12x9 (C-5) |
| AMERICAN TYPE FOUNDERS, French Type Faces, c1930 | 12x9 (C-5) |
| AMERICAN TYPE FOUNDERS, Specimen Book of Type, Philadelphia 1898 | 9½x6 (C-1) |
| AMERICAN INSTITUTE OF GRAPHIC ARTS: American Type Designers 1948 | 7x4½ 32pp (A-4) |
| AMERICAN WOOD TYPE CO.: Foundry Type, Wood Type 1957 | 10x6½ 128+C (A-1) |
| AMERICAN TYPE FOUNDERS: Goudy Catalogue & Italic c1932 | 12x9 16pp (A-1) |
| AMERICAN ARCHITECT Nov 1933: "Lettering Inspired by Type Faces," by C A McGrew p55 | 12x9 (A-1) |
| AMSTERDAM CONTINENTAL: Standard Series c1966 | 10½x7½ 40pp (A-5) |
| AMSTERDAM CONTINENTAL: A Handbook of Types c1967 | 11x8½ 12pp (A-5) |
| ANDERSON, Greg: Two Essays on the Grabhorn Press, pvt 1969 | 11x7 (B-1) |
| ANGEL, MARIE: A New Bestiary 1963 | 4x4 (A-4) |
| ANNENBERG, Maurice: Typographical Journey Through the Inland Printer 1883-1900, Maran Press 1977 | 11x8½ (B-2) |
| ANNENBERG, Maurice: Type Foundries of America & Their Catalogs, Maran Printing Services 1975 | 11x8½ (B-2) |
| ASSN TYPOGRAPHIQUE INTERNATIONALE: Index of Typefaces 1975 | 11½x8¼ 60+C (A-4) |
| ASSN OF AMERICAN UNIVERSITY PRESSES: AAUP Book Show 1987 | 10x8 186+C+plastic dw (A-1) |
| ATLANTIC LINOTYPE: Foundry Type, Brooklyn, nd | 9x6 (B-3) |
| ATYPI, misc materials in env, Frankfurt, 1982 | 9½x12½ (C-4) |
| BALTIMORE TYPE: Type & Rule Catalogue No. 14 1962 | 11x8½ 80pp (A-1) |
| BARNHART BROTHERS & SPINDLER, Type, Catalog 25-A, 1925 | 11x7¼ (C-2) |
| BARNHART BROTHERS & SPINDLER, Christmas Ornaments (& Dietz Text), c1932 | 8x5¼ (C-4) |
| BARNHART BROTHERS & SPINDLER, Type, Catalog 25-A, 1925 | 11x7¼ (dup) (C-5) |
| BARNHART BROTHERS & SPINDLER, Type, Specimen Book No. 9, 1907 | 10½x7½ (C-2) |
| BAUER ALPHABETS: Bauer Type Calculator | 11½x8¼ 52+C (A-5) |
| BAUER ALPHABETS: Venus c1965 | 10½x7½ 16pp (A-5) |
| BAUER ALPHABETS INC., Bauer Type Calculator, nd | 11½x8¼ (C-2) |
| BAUER TYPE FOUNDRY: Bernhard Brushscript c1930 | 10½x7½ 16+C (A-5) |
| BAUER ALPHABETS: Weiss | 10½x7½ 12+C (A-5) |
| BAUER TYPE FOUNDRY INC, Specimen Book of Bauer Types, nd | 10½x7½ (C-3) |
| BAUER ALPHABETS INC: For Your Guidance c1967 | 8½x4 68+C (A-4) |
| BAUER-NEUFVILLE: The Distinguished Bauer Family c1976 | 10fold to 9x4 (A-4) |
| BEAUMONT, James G: Typeface Examples, 19th Century Printing House, Oakdale, Pa, nd | 8½x5½ (B-3) |
| BERRY, W TURNER & A F JOHNSON, Encyclopaedia of Type Faces, Pitman, NY, nd | 10x7¼ (C-3) |
| BERRY, W TURNER & A F JOHNSON, Encyclopaedia of Type Faces, Blandford Press, London, 1953 | 10x7¼ (C-3) |
| BERRY, JOHNSON & JASPERT, Encyclopaedia of Type Faces, 3rd Edition, Blandford Press, London, 1962 | 10x7¼ (C-3) |
| BERTHOLD: Fototypes E1, Berlin, 1974 | 12x12 (B-4) |
| BINNY & RONALDSON, A Specimen of Metal Ornaments, 1809, reprint | 10x6 (C-1) |
| BLIGHT, V C N: The Columbian Press, Sydney, NSW, 1962 | 8¼x5¼ (B-3) |
| BLIVEN, Bruce Jr: The Wonderful Writing Machine, Random House, 1954 | 9x6 (B-3) |
| BOHADTI, Gustav: Type Matrices: Paul H Duensing, 1968 | 9x6 (B-3) |
| BOHNE, PALL W: A Unique 1824 Columbian Press | 9x6 8pp (A-1) |
| BON HOMME RICHARD: A Quart of Oysters & Other Bon Mots 1972 | 7x4½ 55pp cloth/bds (A-3) |
| BORO TYPOGRAPHERS INC, NYC: Borders, Ornaments 1969 | 9x6 (A-3) |
| BORO TYPOGRAPHERS, NYC: Type Index rev 1965/Univers | broadside ¼ fold to 11x8½ (A-1) |
| BORO TYPOGRAPHERS INC, NYC: 2-Line Specimens | 9x6 (A-3) |
| BRADOFSKY, Hyman: Looking Back, Bradofsky, Pomona, Calif., 1984 | 8½x5½ (B-3) |
| BROWN, FRANK CHOUTEAU: Letters & Lettering 1904 | 8½x5½ 214pp cloth/bds (A-3) |
| BRUCE, DAVID: History of Typefounding in the U.S. 1981 | 7x4½ 65+C (A-4) |
| BRUCE GEO & CO, Specimens of Printing Types, 1848 (Ceprint) | 9x6 (2 copies) (C-3) |
| BRUNOGRAPHICS, Balto: Ludlow | 10x5 20+C (A-1) |
| BRUNOGRAPHICS, Balto: Linotype | 10x5 48+C (A-1) |
| BRUNOGRAPHICS, Balto: Hand-set Type | 10x5 96+C (A-1) |
| BUNDSCHO, J M INC: Here Type Can Serve You, Chicago, 1935 | 11¼x11(x4½) (B-5) |
| BUNDSCHO INC, J M: Type Faces 1944 | 9fold to 9x3½ (A-4) |
| BUNDSCHO INC, J M: Type Faces 1952 | 7fold to 9x3½ (A-4) |
| CARNEGIE INSTITUTE OF TECHNOLOGY: Plaid Proofs, Pgh 1959 | 9x6 (B-3) |
| CARNEGIE INSTITUTE OF TECHNOLOGY: The Hunt Botanical Library, Pittsburgh 1961 | 10x7¼ (B-3) |
| CASLON PRESS, Pgh: Type Specimens | 6x8h plastic (A-4) |
| CASTANEDA, CARLOS E: The Beginning of Printing in America 1939 | 9x6 12pp (A-3) |
| CATICH: Rev Edward M: Eighth Annual Frederic W Goudy Award, RIT, 1976 | 9¼x6 (B-3) |
| CAXTON CLUB, Robert Hunter Middleton, The Man & His Letters, 1985 | 10x6½ (C-3) |
| CENTRAL TYPESETTING CO, Machine Faces, Pittsburgh, nd, 11x8½ (2 copies) (C-4) | |
| CHAMPION PAPER CO: Printing Salesman's Herald 44, Typography 1982 | 11x8½30+C +layins (A-5) |
| CHAPLIN, RUTH A: The Little Details 1949 | 9x6 13 paper/bds (A-4) |
| CHAPPELL, Warren: 40-odd Years in the Black Arts (Goudy Award), Press of the Good Mountain 1970 | 9x5 (B-3) |
| CHICAGO DESIGNERS: 27 Chicago Designers, 1936 | 8x8 (B-3) |
| CHURCH [boxfile) (A-2) | |
| CINCINNATI ARTS MUISEUM: Hermann Zapf 1960 | 7x4½ (A-4) |
| CIRKER, Blanche, ed: 1800 Woodcuts by Thomas Bewick and His School, Dover 1962 | 12x9 (B-2) |
| CLEETON, GLEN U & CHARLES W PITKIN: General Printing 1941 | 10¼x8 167+C (A-3) |
| COLISH INC, A: Types | 9x4 8pp; supplement laid in (A-4) |
| COLONIAL PRESS: Type Specimens, Pittsburgh, nd | 8½x16 (B-5) |
| COMPOSING ROOM INC, NYC: Type Faces 1953 | 9x4 32+C (A-4) |
| COMPOSING ROOM INC, NYC: Typefaces 1963 | 9x4 62+C plastic (A-4) |
| COMPOSING ROOM INC, NYC: New Faces 1964 | 2fold to 6x9 (A-4) |
| COMPOSING ROOM INC, NYC: 29 Helpful Hints | 2fold to 6x9 (A-4) |
| COMPOSING ROOM INC, NYC: 18pt Types for Machine Composition | 3fold to 10x6½ (A-4) |
| CONAWAY TYPESETTING, RAY, Pgh: 1-Line Type Specimens c1965 | 5-fold to 10x4 (A-1) [2 copies) |
| CONTINENTAL TYPEFOUNDERS ASSN., Specimen Book of Continental Types, 1930 | 10½x6½ (2 copies) (C-2) |
| CONTINENTAL TYPEFOUNDERS, A Selection of 50 Continental Typefaces, c1936 | broadside folded to 11x8½ (3 copies) (C-2) |
| CONTINENTAL TYPEFOUNDERS, Half Font Price List, 1931 | 10½x7 (C-2) |
| COOPER & BEATTY, Toronto: Typofile 1966 [box file) (A-5) | |
| COOPER & BEATTY, Toronto: Type-o-file 1959 [box file) (A-5) | |
| COOPER & BEATTY ltd, toronto: Type Selection Chart | 9fold to 8½x4 (A-4) |
| COST, Parricia Knittel: Contributions of LB & MF Benton to Typesetting & Typeface Design (ms) 1986 | 11x8½ (B-1) |
| CRAFTSMAN TYPE INC, Dayton: Typecrafter | 7½x4½ LL; supplements 1967-68 (A-4) |
| CRAFTSMAN TYPE: Type Specimen Handibook, Dayton nd | 10½x6½ (B-2) |
| CRAFTSMAN TYPE, Dayton: Handibook c1964 | 10½x6½ 74+C (A-1) |
| CRAFTSMEN-ZIEGLER, Pgh: Specimens of Type nd | 8½x5½ 39sh+C (A-1) |
| CURTIS PAPER CO: Washington's Farewell Address, Newark Del 1954 | 9¼x6 (B-3) |
| DAHL & CURRY: Type Faces, Minneapolis, Minneapolis, nd: 11½x10½ (B-4) | |
| DAMON TYPE FOUNDERS CO., Type, Borders, etc., 1929 | 11x7½ (C-2) |
| DAVIS & WARDE: Type, Vol. II, Gothic & Sans-Serif c1950 | 11x8½ LL [copy 2) (A-2) |
| DAVIS & WARDE: Type, Vol. I, Serif c1950 | 11x8½ LL (A-2) |
| DAVIS & WARDE: Type Faces, Display c1950 | 10x7LL (A-1) |
| DAVIS & WARDE: Type Faces c1930 | 9x6 20+C (A-1) |
| DAVIS & WARDE: Foundry, Lino, Mono | 8½x3½ 49+C (A-4) [2 copies) |
| DAVIS 7 WARDE, Faces not listed in type book, 1977 | 11x8½ (C-4) |
| DAVIS & WARDE: Type, Vol. II, Gothic & Sans-Serif c1950 | 11x8½ LL (A-1) |
| DAVIS & WARDE: Foundry, Mono, Lino 1-liner 1977—9x4 | 39+C [2 copies) (A-1) |
| DAYTON TYPOGRAPHIC: Typeface Book, Dayton, Ohio, 1976 | 9x6½ (B-3) |
| DeVINNE, THEODORE LOW: Modern Methods of Book Composition 1914—7½x5 | 477pp cloth/bds (A-3) |
| DeVINNE, THEODORE LOW: Correct Composition 1914—7½x5 | 476pp cloth/bds (A-3) |
| DeVINNE, THEODORE LOW: A Treatise on Title-Pages 1914—7½x5 | 485pp cloth/bds (A-3) |
| DeVINNE, THEODORE LOW: Plain Printing Types 1914—7½x5 | 403pp cloth/bds (A-3) |
| DOCTOR, Wilbur L: The Montallegro Typeface, Doctor, Kingston, RI 1985 | 9½x6½ (B-3) |
| DOCTOR, WILBUR L: The Montallegro Typeface 1985 | 10x6½ 8+C (A-1) |
| DOCTOR, WILBUR L: Updike & Rogers 1986 | 7½x4½ 12+C (A-4) |
| DREIER, Thomas: The Power of Print—and Men, Mergenthaler Linotype 1936 | 10x7 (B-1) |
| DREYFUS, John: The Work of Giovanni Mardersteig, Press of the Good Mountain, 1972 | 10x6¼ (B-3) |
| DuBOIS PRESS, Rochester: Type Specimen Book | 9x6 328+ LL (A-3) |
| DUENSING, PAUL: Bibliotheca Typographica 1980 | 2fold to 8½x3½ (A-4) |
| DUODECIMO, TYPOCRAFTERS, PRINTING MISCELLANEA | (box) (A-5) |
| DUODECIMO KEEPSAKES ETC | (box) (A-5) |
| DUODECIMO SOCIETY: The Land in the Fork, 1959 | 10x6¼ wire (A-1) |
| DUODECIMO SOCIETY: Duodecimo Calendar 1959 | 10x6 loose sheets in folder (A-1) |
| DUODECIMO ETC | (box) (A-5) |
| DWIGGINS, William A: The Five Hundred Years, Press of the Nightowl, 1972 | 9x5½ (B-3) |
| ECKMAN, DR JAMES, Keystone Type Foundry 1888-1917, PaGA 1958 reprint | 9x6 (C-4) |
| ECKMAN, DR JAMES, Inland Type Foundry 1894-1911, PaGA 1960 reprint | 9x6 (C-4) |
| ECKMAN, James: The Heritage of the Printer, v1, North American Publishing Co 1965 | 10¼x7 (B-1) |
| ECKMAN, DR JAMES, Great Western Type Foundry of Barnhart Brothers & Spindler 1869-1933, PaGA 1961 reprint | 9x6 (C-4) |
| ECKMAN, JAMES: The Collectanea Typographica of H L Bullen 1961 | 6½x4½ 40pp (photocopy) (A-4) |
| ECKMAN, DR JAMES, Chicago Type Foundry of Marder Luse & Co 1863-1892, PaGA 1959 reprint | 9x6 (C-4) |
| FASS, JOHN S: The Hammer Creek Press Type Specimen Book 1954 | 6½x4½ 52pp paper/bds (A-4) |
| FISHENDEN, R B, ed: Penrose Annual, v50, Lund Humphries 1956 | 11¼x8 (B-1) |
| FLEURON, THE, n3, Oliver Simon ed, London 1924 | 11x8½ (B-1) |
| FLEURON, THE, n5, Stanley Morison ed, London 1926 | 11x8½ (B-1) |
| FLEURON ANTHOLOGY, prospectus, Univ of Toronto Press nd | 11x8½ (B-1) |
| FLEURON, THE, n7, Stanley Morison ed, London 1930 | 11x8½ (B-1) |
| FLEURON, THE, n6, Stanley Morison ed, London 1928 | 11x8½ (B-1) |
| FLEURON, THE, n1, Oliver Simon ed, London 1923 | 11x8½ (B-1) |
| FORGHUE, Norman W: Book Parts & Their Typographic Forms, Chicago, nd | 9x6 (B-3) |
| FORGUE, Norman W: Poorer Richard, Black Cat Press, 1954 | 8x5½ (B-3) |
| FRANKLIN, BENJAMIN: An Apology for Printers 1973 | 8x5 xxvii+16+C (A-4) |
| FRANKLIN TYPOGRAPHERS, NYC: Type Faces | 6x3½ 12+C (A-4) |
| FRANKLIN, BENJAMIN: Autobiography | 6½x4 212pp ¼cloth/bds (A-3) |
| FRAZIER, J L: Modern Type Display 1929 | 10x6½ 263pp cloth on boards (A-1) |
| FRAZIER, J L: Type Lore 1925 | 10½x7½ 114pp paper/boards (A-1) |
| GARNETT, Porter: The Laboratory Press, Carnegie Institute of Technology, 1927 | 10x7½ (B-3) |
| GENERAL PRESS CORP, Pgh: Type Specimens | 11x8½ LL (A-2) |
| GEORGE, SAM, Pgh: Linotype Specimen Book c1965 | 7½x5 49 lvs +C plastic (A-4) |
| GERSCH, HUBERT: Freudenfueurwerk 1962 | 12½x9½ 52+C (A-4) |
| GEYER PRINTING CO, Pgh: Type Faces 1958 | 7x5 24+C (A-4) |
| GILL ERIC: An Essay on Typography 1936 | 7x4 133pp cloth/bds (A-3) |
| GOUDY CHAPPEL: On Moxon's 25th 1982 | 6½x5 20+C (A-4) |
| GOUDY, FREDERIC W, Goudy's Type Designs, Myriade Press, 1978 | 7x4½ (C-3) |
| GOUDY, FREDERIC W, Typologia, Univ of Calif Press, 1977 | 9¼x6 (2 copies) (C-3) |
| GOUDY, Frederic W: The Trajan Capitals, Oxford University Press, NY, 1936 | 10½x6½ (B-3) |
| GRAPHIC CRAFTS INC, Willow Street Pa: An Alphabet of Trades 1870-80 1981 | 8x5½ 36+C (A-3) |
| GRAPHIC ARTS INDUSTRY IN PITTSBBURGH: 500 Years of Printing, Pittsburgh c1940 | 12x9 (B-1) |
| GRAPHIC ARTS TYPOGRAPHERS, Type Faces 3, NYC 1966 | 11x8 (2 copies) (C-4) |
| GUJARATI TYPE FOUNDRY, Type Book, c1920 | 9x6¼ (C-3) |
| H&H TYPOGRAPHIC SERVICE: Type book | 11x8½h 532LL [2 copies) (A-2) |
| H&H TYPOGRAPHIC SERVICE: 1-Line Specimens c1964 | 9½x4 82+C (A-4) |
| H&H TYPOGRAPHIC SERVICE: Type book, Pittsburgh, nd | 11½x11 (B-4) |
| HABER TYPOGRAPHERS: Type by Haber 1966 | 9½x5 612 plastic (A-1) |
| HABER TYPOGRAPHERS: Type by Haber supplement 8 1965 | 9¼x5 24+C (A-1) |
| HABER TYPOGRAPHERS: Type by Haber supplement 5 1963 | 9¼x5 168+C (A-1) |
| HABER TYPOGRAPHERS: Type by Haber supplement 6 1964 | 9¼x5 32+C (A-1) |
| HABER TYPOGRAPHERS: Type by Haber supplement 7 1965 | 9¼x5 36+C (A-1) |
| HANSEN H C TYPE FOUNDRY, Type, Printing Machinery & Supplies, 1909 | 12x9 (C-1) |
| HARRIS, ELIZABETH M: The Fat & the Lean 1983 | 9x6 32+C (A-3) |
| HAWLEY, TIM: Printing Periodicals 1983 | 8x5 4pp (A-4) |
| HAYES, James: The Roman Letter, RR Donnelley & Sons Co, 1952 | 10x8½ (B-1) |
| HAYES, JAMES: The Roman Letter 1952 | 10x8½ 56+C (A-3) |
| HAYWOOD, WILLIAM F: It's a Small World #34 1988 | 7x5 (A-4) |
| HAYWOOD, WILLIAM F: It's a Small World #33 1987 | 7x5 (A-4) |
| HAYWOOD, WILLIAM F: It's a Small World #32 1986 | 7x5 (A-4) |
| HAYWOOD, WILLIAM F: It's a Small World #31 1985 | 7x5 (A-4) |
| HAYWOOD, WILLIAM F: It's a Small World #35 1989 | 7x5 (A-4) |
| HAYWOOD, WILLIAM F: It's a Small World #30 1984 | 7x5 (A-4) |
| HAYWOOD, WILLIAM F: It's a Small World #29 1983 | 7x5 (A-4) |
| HAYWOOD, WILLIAM F: It's a Small World #28 1982 | 7x5 (A-4) |
| HAYWOOD, WILLIAM F: It's a Small World #14 1968 | 7x5 (A-4) |
| HAYWOOD, WILLIAM F: It's a Small World #26 1980 | 7x5 [2 copies) (A-4) |
| HAYWOOD, WILLIAM F: It's a Small World #25 1979 | 7x5 (A-4) |
| HAYWOOD, WILLIAM F: It's a Small World #13 1967 | 7x5 (A-4) |
| HAYWOOD, WILLIAM F: It's a Small World #24 1978 | 7x5 (A-4) |
| HAYWOOD, WILLIAM F: It's a Small World #23 1977 | 7x5 (A-4) |
| HAYWOOD, WILLIAM F: It's a Small World #10 1964 | 7x5 (A-4) |
| HAYWOOD, WILLIAM F: It's a Small World #22 1976 | 7x5 (A-4) |
| HAYWOOD, WILLIAM F: It's a Small World #15 1969 | 7x5 (A-4) |
| HAYWOOD, WILLIAM F: It's a Small World #21 1975 | 7x5 (A-4) |
| HAYWOOD, WILLIAM F: It's a Small World #18 1972 | 7x5 (A-4) |
| HAYWOOD, WILLIAM F: It's a Small World #17 1971 | 7x5 (A-4) |
| HAYWOOD, WILLIAM F: It's a Small World #16 1970 | 7x5 (A-4) |
| HAYWOOD, WILLIAM F: It's a Small World #27 1981 | 7x5 (A-4) |
| HEADLINERS: Wood & Foundry Type, Morgan c1964 | 11x8½ 64+C (A-5) |
| HEADLINERS: More Morgan 1968 | 11x8½ 64+C (A-5) |
| HERBICK & HELD: Keyboard Faces c1935 | 8x12 sheets stapled (A-1) |
| HERBICK & HELD: The Fine Art of Copy Preparation c1950 | 9x4 20+C (A-4) |
| HERBICK & HELD: The Fine Art of Typography c1955 | 9x4 20+C (A-4) |
| HERMANN ZAPF: About Alphabets 1970 | 7x4½ 142 stiff paper (A-4) |
| HESS, Sol: Origin & Development of Printing Types, Lanston Monotype Machine Co, 1944 | 8x5¼ (2 cop) (B-3) |
| HESS, SOL, Origin & Development of Printing Types, Lanston Mono, nd | 8x5¼ (C-4) |
| HIGHTON INC, ALEX G, Newark: Type Specimen Book c1950 | 11x8½ wire (A-5) |
| HIGHTON CO, Newark: Type Indexes, Hand, Machine, Photo c1971 | 11x8½ 2 sheets in folder (A-1) |
| HITCHCOCK, Maureen: Benton Types—Typefaces designed or adapted by M F Benton, Press of the Good Mtn 1978 | 10x7 (B-1) |
| HLASTA, STANLEY C, Printing Types & How to Use Them, CIT, 1950 | 10x7 (C-3) |
| HOFFMAN TYPOGRAPHIC SERVICE, Buffalo: Type catalog | 11x8½ 167+LL (A-2) |
| HOFFMAN TYPOGRAPHIC SERVICE, Buffalo: Additional Type Faces c1965 | 11x8½ 29 lvs in binder (A-2) |
| HOPKINS, RICHARD L: Yesterday's "Swift" 1980 | 7x5 16+C (A-4) |
| HOPKINS, Richard L: The American Point System, Hill & Dale Press, 1976 | 9x6 (B-3) |
| HOPKINS, RICHARD L: Monotype References 1980 | 7¼x4¼ 12pp (A-4) |
| HOUSE & HOME | (boxfile) (A-2) |
| HUSS, Richard E: Dr Church's "Hoax," Graphic Crafts Inc., 1976 | 9x6 (B-3) |
| HUSS, Richard E: Printers' Mechanical Typesetting Methods 1822-1925, University Press of Virginia, 1973 | 9x8 (B-3) |
| HUSS, Richard E: The Printer's Compositon Matrix, Oak Knoll Books 1985 | 10½x8 (B-1) |
| IMPRIMERIE DROMAAIRE: 19th Century Russian Printing Types 1980 | 9x6 28+C (A-4) |
| IMPRIMERIE DROMADAIRE: Scott Joplin 1983 | 9¼x6 20+C in env (A-5) |
| INDIANAPOLIS PRINTING CO: Linotype & Foundry Faces | 9½x6½ 107+C plastic (A-4) |
| INLAND PRINTER: Photocopies of type related items, 1900-1966 | 14½x11½ (B-4) |
| INLAND TYPE FOUNDRY, Specimen Book, 1901 | 8x5½ (C-3) |
| INTERNATIONAL PAPER CO: The Pocket Pal 1957 | 7¼x4½ 114pp+C wire (A-4) |
| INTERTYPE CORP, One-Line Specimens (alphabetical list laid in), 1970 | 10½x7½ (C-5) |
| INTERTYPE: Faces, Intertype Corp 1928 | 11x8 (B-2) |
| INTERTYPE CORP, Imperial, 1957 | 12x9 plastic (C-5) |
| INTERTYPE: How to Select Type Faces, Intertype Corp, nd | 9¼x6 (B-3) |
| INTERTYPE CORP, Matrix Identification, c1972 | 10½x7½ (C-5) |
| INTERTYPE: Alphabets & Character Showings. Intertype Corp 1949 | 10½x7½ (2 cop) (B-2) |
| INTERTYPE CORP, Intertype Faces, One-Line Spoecimens, 1970 | 10¼x7 (C-2) |
| INTERTYPE CORP, Comparison of Weights in Book Faces, nd | 11x7½ (C-5) |
| INTERTYPE CORP, One-Line Specimens, 1958 | 10½x7½ (C-5) |
| INTERTYPE: How to Select Type Faces, Intertype Corp, 1929 | 7½x5 (B-3) |
| INTERTYPE: How to Select Type Faces, Intertype Corp, 1956 | 8x5½ (B-3) |
| INTERTYPE: Faces, Intertype Corp 1933 | 11x8 (B-2) |
| INTERTYPE: Alphabets, Intertype Corp 1nd | 10½x7½ (B-2) |
| INTERTYPE: Faces, Intertype Corp 1945 | 10½x7½ (B-2) |
| INTERTYPE COMPANY: How to Select Type Faces | 9x6 (A-3) |
| INTERTYPE: Vogue, Intertype Corp nd | 10½x7½ (2 cop) (B-2) |
| INTERTYPE: Cairo, Intertype Corp 1951 | 10½x7½ (B-2) |
| INTERTYPE: Faces, Intertype Corp 1955 | 10½x7½ (B-2) |
| JAGGARS-CHILES-STOVALL INC, JCS Gazette & phototype pages, Dallas, nd | portfolio 12x9 (C-4) |
| JAGGARS-CHILES-STOVALL INC, Tight Type #2, Dallas, nd | 11x8½ (C-4) |
| JAGGARS-CHILES-STOVALL INC, Dallas: Type Book 1960 | 11x8½h 352 LL (A-2) |
| JOHNSTON, EDWARD: Writing & Illuminating & Lettering 1915 | 7x4½ 500pp ¼cloth/bds (A-3) |
| JOHNSTON, Edward: Manuscript & Inscription Letters, John Hogg, London 1911 | 12½x9½ (portfolio) (B-2) |
| JONES: Thomas Roy: Printing in America, and ATF, Newcomen Society, 1948 | 8½x6 (B-3) |
| KARCH, R Randolph: Great merican Writers Who Were Printers, Arsenal Jr HS Press, Pgh 1935 | 8x5¼ (B-3) |
| KELLY, Rob Roy: American Wood Type 1828-1900, Van Nostrand 1969 | 12x9 (B-2) |
| KELSEY CO, misc catalogs etc in envelope | 8x11 (C-5) |
| KEYSTONE TYPE FOUNDRY, Nickel-Alloy Type, 1907 | 8x5½ (C-3) |
| KING TYPOGRAPHIC: This Is King Typographic Service, NYC, c1976 | 10x10 (B-4) |
| KING TYPOGRAPHIC SERVICE, NYC: Foreign Languages | 8x6½ folder w/insert (A-4) |
| KINGSPORT PRESS: Book of Type Faces, Display Faces | 8½x5½ c730pp LL (A-3) |
| KINGSPORT PRESS: Book of Type Faces, Monotype Faces | 8½x5½ c630pp LL (A-3) |
| KINGSPORT PRESS: Book of Type Faces, Linotype Faces | 8½x5½ c900pp LL (A-3) |
| KINGSPORT PRESS: Book of Type Faces, Supplement | 8½x5½ c250pp LL (A-3) |
| KLINGSPOR TYPEFOUNDERS: Klingspor Types c1955 | 8x4 loose lvs (A-4) |
| KLINGSPOR, GEBR: Marathon | 10¼x5½ 16+C (A-5) |
| LABAREE, Leonard W & Whitfield J Bell: Mr Franklin, Selection from Personal Papers, Yale Univ Press 1956 | 10½x7½ (B-1) |
| LACLEDE TYPE FOUNDRY, St Louis, Laclede Type Foundry Specimens, 1922 | 10½x7½ (C-2) |
| LAKESIDE PRESS: Benjamin Franklin, Printer, RR Donnelley & Sons Co. 1956 | 12½x10 (B-1) |
| LANSTON MONOTYPE CO, Monotype Success, reprint by Richard L Hopkins, 1984 | 15x8½ (C-4) |
| LANSTON MONOTYPE: Selected Specimen Book Pages, v3, Lanston Monotype Machine Co nd | 9x6¼ (B-3) |
| LANSTON MONOTYPE: Selected Specimen Book Pages, v2, Lanston Monotype Machine Co nd | 9x6¼ (2 cop) (B-3) |
| LANSTON MONOTYPE: Selected Specimen Book Pages, v1, Lanston Monotype Machine Co nd | 9x6¼ (B-3) |
| LANSTON MONOTYPE: Types, Village No. 2, Goudy Bible, Goudy Thirty 1956 | 9¼x6¼ 4+C (A-1) |
| LANSTON MONOTYPE CO, Deepdene, 1930 (insert 1927) | 12x9 (C-5) |
| LANSTON MONOTYPE: Words by Beatrice Warde & Types by Varied Hands 1953 | 9x628+C in env [2 copies) (A-4) |
| LANSTON MONOTYPE CO, Monotype Specimen Book of Faces, c1913-1938 | 11x9 post binder (C-2) |
| LANSTON MONOTYPE: New Monotype Faces 1931 to 1936 | 8½x5 32pp (A-4) |
| LANSTON MONOTYPE CO, Monotype Type Faces, c1960 | 11x9 post binder (2 copies) (C-2) |
| LANSTON MONOTYPE: The MNonotype, How It Works 1937 | 8x5½ 24+C (A-4) |
| LANSTON MONOTYPE: Handy Index of Rental Matrices 1955 | 9x6 15+C [2 copies) (A-4) |
| LANSTON MONOTYPE CO, Italian Old Style, 1924 | 12x8½ (C-5) |
| LANSTON MONOTYPE CO, Specimens of Monotype Type Faces etc., c1972 | 11x9 post binder (C-2) |
| LANSTON MONOTYPE CO, Specimens of Monotype Type Faces etc., misc pp, nd | 11x9 loose leaf (C-2) |
| LAWSON, Alexander S: A Printer's Almanac (Heritage of Printer, v2), North American Pub Co 1966 | 10¼x7 (B-1) |
| LEWIS, BERNARD, Behind the Type, Life Story of F W Goudy, CIT, Pittsburgh 1941 | 9½x6½ (C-3) |
| LIEBERMAN, J Ben: Type & Typefaces, Myriade Press 1978 | 11x8½ (B-1) |
| LINDEGREN, Erik: ABC of Lettering & Printing Typefaces, Greenwich House, NY, 1982 | 7¼x9½ (horiz) (B-3) |
| LINOTYPE GMBH, Linotype-Schriften, 1967 | 9½x6½ (C-3) |
| LINOTYPE: Großkegelschriften, Linotype GMBH, Frankfurt c1969 | 11½x8¼ (B-2) |
| LINOTYPE/INTERTYPE, misc specimens, box file | (C-2) |
| LITTLE, Evelyn Steel: 26 Lead Soldiers, a Salute to Printers, Eucalyptus Press, 1939 | 9x6¼ (B-3) |
| LONG, Robert P: Wood Type & Printing Collectibles, pvt 1980 | 10x8 (B-1) |
| LORAIN PRINTING CO, Lorain Ohio: From Our Composing Room c1961 | 5½x8½h 54+C (A-4) |
| LOS ANGELES TYPE FOUNDERS: Specimens & Price List 1959 | 9x4 (A-4) |
| LOS ANGELES TYPE & RULE CO: Type Faces c1947 | 5fold to 8x4 (A-4) |
| LOS ANGELES TYPE FOUNDERS: Type 1964 | 9x4 (A-4) |
| LUDLOW: Record Gothic Cond Ital, Ludlow Typograph Co nd | 12x9 (B-2) |
| LUDLOW: Record Gothic Med Ext, Ludlow Typograph Co c1966 | 11½x8½ (B-2) |
| LUDLOW TYPOGRAPH CO, Record Gothic Condensed, nd | 12x9 (other Record Gothic folders laid in) (C-5) |
| LUDLOW: Record Gothic Family, Ludlow Typograph Co nd | 12x9 (B-2) |
| LUDLOW: Typefaces, Ludlow Typograph Co nd | 11½x8½ (B-2) |
| LUDLOW: Typefaces, Ludlow Typograph Co 1958 | 11½x8½ (B-2) |
| LUDLOW: Tempo Black Cond Ital, Ludlow Typograph Co nd | 11½x8½ (B-2) |
| LUDLOW: Typefaces, Ludlow Typograph Co 1957 | 12x9 (B-2) |
| LUDLOW: 2 New Faces (Zephyr, Parkway Script), Ludlow Typograph Co nd | 11x8½ (2 cop) (B-2) |
| LUDLOW: Typefaces, Ludlow Typograph Co nd | 12x9 (B-2) |
| LUDLOW: Typefaces, Some, Ludlow Typograph Co 1941 | 11½x8½ (B-2) |
| LUDLOW: Record Gothic Bold Ext Rev, Ludlow Typograph Co nd | 11½x8½ (B-2) |
| LUDLOW: Bodoni Family, Ludlow Typograph Co nd | 11x8½ (B-2) |
| LUDLOW: A New Script (Wave), Ludlow Typograph Co nd | 12x9 (B-2) |
| LUDLOW: Typefaces of Recent Production, Ludlow Typograph Co 1937 | 11½x8½ (B-2) |
| LUDLOW: Typefaces Recently Produced, Ludlow Typograph Co 1936 | 11½x8½ (B-2) |
| LUDLOW: Typefaces Supplement, Ludlow Typograph Co 1934 | 11½x8½ (B-2) |
| LUDLOW: Typefaces, One Line Specimens, Ludlow Typograph Co 1934 | 11x8½ (B-2) |
| LUDLOW: Supplementary Specimen Pages, Ludlow Typograph Co 1932 | 11½x8½ (B-2) |
| LUDLOW: Typefaces, Ludlow Typograph Co 1961 | 11½x8½ (B-2) |
| LUDLOW: One-Line Specimens, Ludlow Typograph Co 1931 | 11x8½ (B-2) |
| LUDLOW: Typefaces, Some, Ludlow Typograph Co 1954 | 11½x8½ (B-2) |
| LUDLOW: Typeface Alphabets, Ludlow Typograph Co 1966 | 12x9 (3 cop) (B-2) |
| LUDLOW TYPOGRAPH CO, Garamond, 1930 | 12x9 (C-5) |
| LUDLOW: Supplementary Specimen Pages, Ludlow Typograph Co 1931 | 11½x8½ (B-2) |
| LYONS PRESS, T J: 76 Americana Type Faces 1961 | 9x4 3 folded sheets in env (A-1) |
| MACKENZIE & HARRIS INC, SF: Type specimens | 12x9 sheets in folder (A-1) |
| MACKENZIE & HARRIS INC: Type Book c1954 | 10x4½ 80+C [2 copies) (A-1) |
| MANGIS TYPOGRAPHIC: Type Faces, Pittsburgh, 1958 | 11½x10½ (B-4) |
| MANGIS TYPOGRAPHIC SERVICE: Type Faces of Distinction 1967 | 4fold to 12½x4½ (A-4) |
| MANGIS TYPOGRAPHIC SERVICE: Body Faces c1960 | 12x9 48pp (A-1) |
| MATROTYPE: Linecasting Matrices, Matrotype Co Ltd c1979 | 11½x8½ (B-2) |
| McCAFFREY, Frank: Type Mechanized, Printing House Craftsmen 1941 | 9¼x6 (B-3) |
| McGREW, M F, Family of Basic American Gothics, H&H Typo, nd | broadside 16x20 in tube (2 copies) (C-4) |
| McGREW, Misc clippings & specimens file | (C-4) |
| McGREW, Typographic design file | (C-4) |
| McGREW, Copyfitting file | (C-4) |
| McMURTRIE, DOUGLAS C, Type Design, Bridgman Publishers, Pelham NY, 1927 | 8½x5½ (C-3) |
| McMURTRIE, Douglas C: Invention of Printing, Printing House Craftsmen 1939 | 8½x6¼ (2 cop) (B-3) |
| McMURTRIE, DOUGLAS C, Some Facts Concerning the Invention of Printing, Chicago PHC, 1939 | 8½x6¼ (C-4) |
| MERGENTHALER LINOTYPE: The Readability of Type 1941 | 7x4½ 67+C (A-4) |
| MERGENTHALER LINOTYPE CO, Specimen Book Supplement No. 1, 1939 | 10½x7½ (C-5) |
| MERGENTHALER LINOTYPE CO, Lino Type Faces, nd | 11x8 loose leaf (2 copies) (C-5) |
| MERGENTHALER LINOTYPE: The Romance of Print 1945 | 6x4½ 48+C (A-4) |
| MERGENTHALER: Peter Piper, Mergenthaler Linotype Co, 1936 | 8x5½ (B-3) |
| MERGENTHALER LINOTYPE CO, clippings in env, c1930-40 | 12x9 (C-4) |
| MERGENTHALER LINOTYPE CO, Linotype Faces, One-Line Specimens, 1950 | 10¼x7½ (2 copies) (C-5) |
| MERGENTHALER LINOTYPE CO: Distinction in Design 1954 | 10½x7½ 16pp (A-1) |
| MERGENTHALER LINOTYPE: The Legibility of Type 1935 | 7x4½ 67+C [2 copies) (A-4) |
| MERGENTHALER: Matrix Specimen Book, Mergenthaler Linotype Co 1977 | 10x7 (B-2) |
| MERGENTHALER LINOTYPE CO, Specimen Book Supplement No. 3, 1941 | 10½x7½ (2 copies + extra sigs) (C-5) |
| MERGENTHALER: Linotype Machine Principles, Mergenthaler Linotype Co, 1940 | 9x6 (B-3) |
| MERGENTHALER LINOTYPE CO, Linotype Faces, 1929 | 10½x7½ loose leaf (C-5) |
| MERGENTHALER LINOTYPE: The Readability of Type 1947 | 7x4½ 68+C (A-4) |
| MERGENTHALER: One-Line Specimens, Mergenthaler Linotype Co 1948 | 10¼x7½ (B-2) |
| MERGENTHALER: One-Line Specimens, Mergenthaler Linotype Co 1950 | 10¼x7½ (B-2) |
| MERGENTHALER: One-Line Specimens, Mergenthaler Linotype Co 1958 | 10¼x7½ (2 cop) (B-2) |
| MERGENTHALER LINOTYPE CO, Clip Sheets of Linotype Display Faces, nd | 10½x7½ (C-5) |
| MERGENTHALER LINOTYPE: Peter Piper 1936 | 8x5½ 99+C (A-5) |
| MERGENTHALER LINOTYPE CO, Specimen Book Supplement No. 2, nd | 10½x7½ (2 copies) (C-5) |
| MERGENTHALER LINOTYPE CO, Lino Type Faces, nd | 10½x7½ (C-2) |
| MERGENTHALER: Index & Addenda, One-Line Specimens, Mergenthaler Linotype Co nd | 10¼x7½ (B-2) |
| MERGENTHALER LINOTYPE CO, Useful Matrix Information, 1945 | 7½x4¼ (C-2) |
| MERGENTHALER: Supplement, Specimen Book, Mergenthaler Linotype Co 1948 | 10½x7½ (B-2) |
| MERGENTHALER: A-P-L Faces, Mergenthaler Linotype Co 1938 | 12x9 (B-2) |
| MERGENTHALER LINOTYPE CO, Linotype Faces, 1929 | 10½x7½ loose leaf (C-2) |
| MERGENTHALER: Manual of Linotype Typography, Mergenthaler Linotype Co 1923 | 12¼x9¼ (B-2) |
| MERRIMAN, Frank: A.T.A. Type Comparison Book, Advertising Typographers Assn 1965 | 10½x6½ (B-2) |
| MEYER, FRANZ SALES: A Handbook of Ornament | 8½x5½ 550pp cloth/bds (A-3) |
| MEYNELL, FRANCIS, English Printed Books, London 1948 | 9x6½ (C-3) |
| MICHAEL, John & Jean: Bruce Rogers/Centaur Type, Acorn Press, 1968 | 15x9½ (B-4) |
| MILWAUKEE JOURNAL, Type Faces and Production Techniques, 1950 | 11¼x8½ wirebound (C-5) |
| MISCELLANEOUS Type Specimen sheets and folders | (A-5) |
| MONO-LINO TYPESETTING CO: Type Book c1950 | 11x8½ LL (A-1) |
| MONO-LINO: Specimen Book, Type Styles c1938 | 10x7 screw binder (covers off) 192pp (A-1) |
| MONO-LINO TYPESETTING CO: Type Book, Pittsburgh, 1968 | 11½x10½ (B-4) |
| MONO-LINO TYPESETTING CO: Type book c1950 | 11x8½ LL (A-2) |
| MONOTYPE CORP, ‘Monotype' Display Faces, c1967 | 11¼x8½ (2 copies) (C-2) |
| MONOTYPE CORP., ‘Monotype' Centaur etc, London, nd | 11½x8¼ (C-4) |
| MONOTYPE CORP LTD, Salfords: Type Study Leaflets for Students 1974? | 7½x8¼ 4 folders laid in jacket (A-4) |
| MONOTYPE CORP, ‘Monotype' Display Faces, 1976 | 11½x8¼ (C-2) |
| MONOTYPE CORP, ‘Monotype' Specimen Book, London, nd | 11x9 post binder (2 volumes) (C-2) |
| MONSEN TYPOGRAPHERS, INC: Type Library, v1, Chicago, 1961 | 12½x13 (B-5) |
| MONSEN TYPOGRAPHERS, INC: Type Library, v2, Chicago, 1961 | 12½x13 (B-5) |
| MONSEN-CHICAGO: Typographic Handibook 1946 | 10½x6½ 70++C (A-1) |
| MONSEN-CHICAGO: Type Handibook 1941 | 10½x6½ 61++C (A-1) |
| MONSEN-CHICAGO: Type and Its Origin c1945 | 8½x4 20+C [2 copies) (A-4) |
| MONSEN-CHICAGO: Typographic Handibook c1950 | 10½x6½ 78++C (A-1) |
| MONSEN-CHICAGO: Typographic Handibook 1937 | 10x6½ 64+C plastic (A-3) |
| MONSEN-CHICAGO: Typographic Handibook | 10x6½ 78+C plastic (A-3) |
| MORGAN PRESS: Foundry Type, Hastings-on-Hudson, NY, nd | 9x6 (B-3) |
| MORGAN PRESS: Wood c1950 | 11x8½ plastic (A-5) |
| MUSEUM OF ART, CARNEGIE INSTITUTE: The Art of Black Africa 1969 | 9x8½ (A-3) |
| NEBIOLO SOCIETÀ, Caratteri Nebiolo, nd | 9½x7 (v worn dj folded in) (C-3) |
| NELSON, Stan: Typefounding, The Atelier Press, 1972 | 10x6½ (B-3) |
| NEW YORK TIMES: Type Book | 11x9 66+C plastic (A-2) |
| NEW YORK TIMES: Style Book, McGraw-Hill 1962 | 9¼x6¼ (B-3) |
| NEW YORK TIMES: The Story of the Recorded Word 1940 | 9¼x6¼ 32+C (A-3) |
| NOORDZIJ, GERRIT, The Stroke of the Pen, The Hague, 1982 | 8x5 (C-4) |
| OHLER, S R: A Walk in the Park, Pickwick-Morcraft, 1967 | 8½x5½ (B-3) |
| ORCUTT, William Dana: In Quest of the Perfect Book, Little, Brown & Co, 1926 | 9½x6½ (B-3) |
| OVERALL, Richard M: Seven Scintillations, Press of the Nightowl, 1965 | 8½x5 (B-3) |
| P-H-P GRAPHIC ARTS, Phila: 1-Line Type Specimens c1969 | 9x4 plastic [2 copies) (A-1) |
| PETTINGILL & CO., Pettingill's Type Book, 1901 | 8½x5½ (C-1) |
| PETTY, G HARVEY: Calligraphy & Lettering 1984 | 4¼x6h 73+C (A-4) |
| PHILADELPHIA TYPESETTING ASSN: Phila Type Directory 1959 | 9x6 88+C (A-3) |
| PHILADELPHIA TYPESETTING ASSN: Phila Type Directory 1957 | 9x6 48+C (A-1) |
| PHILLIPS, Frederic Nelson: Old-Fashioned Type Book, Phillips Inc, NY 1945 | 12x9 (B-1) |
| PHOTO-LETTERING: One LIne Manual of Styles (Index to Alphabet Thesaurus), Van Nostrand 1971 | 12x6 (B-2) |
| PHOTO-LETTERING, NY: Type Index 1968 | 12x9 20pp (A-1) |
| PICKWICK-MORCRAFT INC: Type Specimens c1963 | 7x10h 68+C (A-3) |
| PITTSBURGH SUN-TELEGRAPH: Type Specimen Book, 1943 | 9½x15 (2 cop) (B-5) |
| PITTSBURGH PRESS: Advertising Type Faces, nd | 11x8½ (B-5) |
| PLIMPTON PRESS, Type Specimen Book, 1965 | 9x12½ loose leaf (C-5) |
| PRINT, Magazine of Graphic Arts: Typewriter Type Issue, New York 1952 | 10x7 (B-1) |
| PRINTING HOUSE CRAFTSMEN: Printing Progress, a Mid-Century Report, Cincinnati 1959 | 11x8 w/slipcase (B-1) |
| PRINTING HOUSE CRAFTSMEN: Index to Graphic Arts Periodical Literature, 1941 | 9x6 (B-3) |
| PRINTING HOUSE CRAFTSMEN: A New England Keepsake, Boston 1938 | 9¼x6 (B-3) |
| PRODUCTION YEARBOOK, Omnibus of Type Faces, Colton Press, 1939 | 11x8½ (C-2) |
| PROGRESSIVE COMPOSITION CO, Phila: Progressive Type Faces, v1 (A-K) c1960 | 11x8½LL (A-1) |
| PROGRESSIVE COMPOSITION CO, Phila: Progressive Type Faces, v2 (L-Z) c1960 | 11x8½LL (A-1) |
| PROGRESSIVE COMPOSITION CO, Phila: From A to Z | 77¼x5¼ 115+C wire (A-3) |
| RAPID TYPOGRAPHERS INC, NYC: Square Serif & Gothic Type Specimens | 12x9h 128+C plastic (A-2) |
| RAPID TYPOGRAPHERS, NYC: Handy Type Listings | 4½x3¼ (½ size) 36+C (A-4) |
| REHE, Rolf F: Typography: How to Make It Most Legible, Design Research International, Carmel, Ind, 1984 | 8x8¼ (B-3) |
| REICHL, ERNST: Legibility 1949 | 9x6 36 cloth/bds (A-4) |
| ROCHESTER TYPOGRAPHIC SERVICE: Typo Type c1966 | 8½x4 plastic (A-4) |
| ROCHESTER TYPOGRAPHIC SERVICE: Specimen pages | 10x7 sheets punched for LL in env (A-1) |
| ROCHESTER TYPOGRAPHIC SERVICE: Typo Type c1940 | 8½x4 wire (A-1) |
| ROGERS, Bruce: Paragraphs on Printing, Dover 1979 | 10½x7¼ (B-1) |
| ROGERS, BRUCE: The Integrity of Printing 1983 | 9x6 12+C (A-4) |
| RUETER, WILLIAM: The Making of Letters 1980 | 7½x4 20+C (A-4) |
| SCHLESINGER, Carl, ed: The Biography of Ottmar Mergenthaler, Oak Knoll, 1989 | 10x7 (B-3) |
| SCHMETS. RONALD, Of Typefounding, Portrait of D Stempel Firm, Darmstadt, 1987 | 9¼x12¼ (C-4) |
| SCHMIDT CO, E F, Milwaukee: Reflections 1, Early Writing 1961 | 5fold to 8½x3¼ (A-4) |
| SCHMIDT CO, E F, Milwaukee: Reflections 2, The Alphabet 1961 | 5fold to 8½x3¼ (A-4) |
| SCHNEIDEREITH & SONS: New Wings for Intelligence (Tribute to Mergenthaler), Baltimore 1954 | 8¼x5½ (B-3) |
| SERVICE ENGRAVERS (H SHERR), Reverse Type for Ludlow, 1958 | 11x8½ (C-4) |
| SHERBOW, Benjamin: Effective Type-use for Advertising, Benjamin Sherbow, 1922 | 7½x5 (B-3) |
| SHERBOW, BENJAMIN: Making Type Work 1921 | 7¼x4½ 129pp cloth/bds (A-4) |
| SIMONCINI, Francesco: Readability & Functionality of Typefaces, Turin 1965 | 9½x6½ (B-3) |
| SOCIETÀ NEBIOLO, Torino: Type Faces etc. | 11½x8 100+C (A-5) |
| SOCIETY OF TYPOGRAPHIC ARTS, Chicago: The Book of Oz Cooper, 1949 | 11x8½ (B-1) |
| SOLO, Dan X: Victorian Display Alphabets, Dover 1976 | 11x8 (B-2) |
| SOUTHWESTERN TYPOGRAPHICS: Typographics Specimens 1965 | 8½x11h 48+C (A-4) |
| SPELTZ, ALEXANDER: Styles of Ornament 1936 | 9x6 647pp cloth/bds (A-3) |
| STEMPEL AG: Palatino, Michelangelo, Sistina | 8½x8¼ 12pp (A-5) |
| STEMPEL AG, Printing Types, 1967 | 6x8½ (C-3) |
| STEMPEL AG: Metropolis 1929 | 11½x8 24+C (A-5) |
| STEMPEL AG: Type Faces Available c1962 | 7½x4 (A-4) |
| STEMPEL AG: Types on Anglo-American Point-System c1971 | 8¼x4 (A-4) |
| STEPHENSON BLAKE: Hand List of Modern Display and Text Types | 4fold to 8x4½ (A-4) |
| STEPHENSON BLAKE: Typeface Synopsis | 8½x4½ 4fold (A-4) |
| STEPHENSON BLAKE, A booklet of interest to every American printer, nd | 10x7 (2 copies) (C-2) |
| STEPHENSON BLAKE, Specimens of Printing Types, c1962 | 8x5 plastic (C-3) |
| STEPHENSON BLAKE: A Book of Scripts & Rondes | 10x7½ 16pp (A-5) |
| STEPHENSON BLAKE, Specimens of Printing Types, 1950 | 9½x5½ (C-3) |
| STEPHENSON BLAKE: Type Lore c1950 | 4fold to 9x4¼ (A-4) |
| STEPHENSON BLAKE: Brass Rules & Ornaments | 8x5 16+C (A-5) |
| STERLING, Homer E: Type Alphabets for Layout Lettering, Carnegie Institute of Technology 1932 | 10¼x7 (B-1) |
| STEWART CO, JAMES L: Type Specimen Book c1940 | 10½x7½LL (A-1) |
| STRATHMORE PAPER CO: Memories of the Gay 90s, nd | 8½x5½ (B-3) |
| STUART, EDWIN H.: 1-line Specimen Book c1970 | 9x4 22+C (A-1) |
| STUART, Edwin H: Copy Preparation, Pittsburgh nd | 9x6 (B-3) |
| STUART, EDWIN H: 1-line Type Specimens | 18+C (A-4) [2 copies) |
| STUART, Edwin H Co: Type Specimen Book, nd (B1970) | 10x14 (horiz) (addl copy) (B-5) |
| STUART, Edwin H Co: Type Book, nd (B1960) | 10x14 (horiz) (2 cop) (B-5) |
| STUART, Edwin H Co: Type Specimen Book, nd (B1970) | 10x14 (horiz) (B-4) |
| TGC COMMUNICATIONS: TGC Typeface Index, NYC, 1967 | 9½x10 (B-4) |
| THOMAJAN, P K, American Type Designers, RIT, reprinted from American Printer 1956 | 9x6 (C-3) |
| TRAVEL, MAPS, ETC | (box) (A-5) |
| TYPE FILMS OF CHICAGO: Library of Film Faces 1972 | 11x8½ 32+C (A-1) |
| TYPE AND ART, Type Specimens, Cleveland 1-58 | 11x11½ (B-2) |
| TYPE DIRECTORS CLUB OF NEW YORK: 4th Annual Awards for Typographic Design Excellence 1958 | 10½x8 (A-2) |
| TYPE AND ART, Type Specimens, Cleveland 6-58 | 11x11½ (B-2) |
| TYPEFOUNDERS OF CHICAGO: Catalog | 9x6 104+C (A-3) |
| TYPEFOUNDERS OF CHICAGO: Type Specimens by Neon Type Division 1983 | 11x8½ 219+C +supplements laid in (A-2) |
| TYPEFOUNDERS OF CHICAGO: Type Specimens by Neon Type Division 1962 | 11x8½ 212+C +supplements laid in (A-2) |
| TYPEFOUNDRY AMSTERDAM, Columbia, c1956 | 12¼x9¼ (C-5) |
| TYPOCRAFTERS ETC. | (box) (A-5) |
| TYPOGRAPHER, Goudy Issue, RIT, v20 n1 1960 | 9x6 (C-3) |
| TYPOGRAPHER: Dedicated to the Memory of Frederic W Goudy, RIT, 1960 | 9x6 (B-3) |
| TYPOGRAPHERS ASSN OF NY, Type Face Directory, 1965 | 9x6 (C-3) |
| TYPOGRAPHIA: Fine Printing, Paul H Duensing, 1965 | 8½x6 (B-3) |
| TYPOGRAPHIC SERVICE CO, NY: Type Faces c1963 | 10x6½ 82++C (A-1) |
| TYPOGRAPHIC SERVICE, Phila: Typo Type, metal c1950 | 11x8½h LL (A-1) |
| TYPOGRAPHIC SERVICE CO, NYC: Type Faces | 12x9 138+C plastic (A-2) |
| TYPOGRAPHIC SERVICE INC, Phila: Typo Types | 8½x19 folded 1/5 (A-1) |
| TYPOGRAPHIC SERVICE CO: Combined Reference Guide, Indianapolis 1965 | 9x4 (B-3) |
| TYPOGRAPHICS COMMUNICATIONS INC., Announcement, 1967 | 11x8½ (C-4) |
| TYPOGRAPHICS: Specimens, Southwestern Typographics, 1965 | 8½x11 (horiz) (B-3) |
| TYPOGRAPHICS: Type Faces, v2 H-Z+, Southwestern Typographics Inc/John A Scott Co, Dallas, 1965 | 9x14 (horiz) (B-5) |
| TYPOGRAPHICS: Type Faces, v1 A-G, Southwestern Typographics Inc/John A Scott Co, Dallas, 1965 | 9x14 (horiz) (B-5) |
| UNIVERSITY OF CHICAGO: Manual of Style, Chicago 1945 | 8¼x5½ (B-3) |
| UNIVERSITY OF MICHIGAN: Scribes & Printers (exhibit), U/M 1943 | 9x6 (B-3) |
| UPDIKE, Daniel B: In the Day's Work, Harvard University Press, 1924 | 8½x5½ (B-3) |
| UPDIKE, D B, Printing Types, Their History Forms & Use, Harvard Univ Press, 1951 | 99½x6¼ (2 volumes) (C-3) |
| URW UNTERNEHMENSBERATUNG: Signus System for Lettering 1983 | 11½x8¼ 16pp (A-5) |
| US GOVT PRINTING OFFICE: Style Manual, Washington 1967 | 9¼x6 (B-3) |
| US GOVT PRINTING OFFICE: Classification of Printing Industry Techniques, Washington 1939 | 9x6 (B-3) |
| VAN KRIMPEN, JAN: A Letter to Philip Hofer 1972 | 9½x6½ 102 paper/bds (A-3) |
| VICTORIA TYPOGRAPHERS, Chicago: Type Forms | 8½x3½ (A-4) |
| VILLAGE PRESS, Intimate Recollections, Marlborough, NY, 1938 | 9½x6½ (C-3) |
| VISUAL COMMUNICATIONS SOCIETY OF PITTSBURGH: Tenth Annual Exhibit, Pgh 1966 | 11x8½ (B-1) |
| VISUAL COMMUNICATIONS SOCIETY OF PITTSBURGH: Communications (Zapf), v14 n3, April 1969 | 7x7 (2 cop) (B-3) |
| VISUAL COMMUNICATIONS SOCIETY OF PITTSBURGH: Communications, v15 n1, Feb 1970 | 7x7 (B-3) |
| WARDE, BEATRICE, The Crystal Goblet, World Publishing Co, 1956 | 8½x5½ (C-3) |
| WARDE, Beatrice: Concerning Some Words & Types, Lanston Monotype Machine Co, 1953 | 9x6 (B-3) |
| WARWICK TYPOGRAPHERS, St Louis: Type Specimen Book, Supplement | 11x4½ + layins (A-1) |
| WARWICK TYPOGRAPHERS: Type, St Louis, nd | 11x5½ (B-4) |
| WATTS, STEVENS LEWIS: Henry Lewis Bullen & His Work 1966 | 7x5 16pp (photocopy) (A-4) |
| WEBER, C E, Schadow-Antiqua (& Forum), Stuttgart, nd (1950s) | 11½x8¼ plastic binding (C-2) |
| WEBER C E SCHRIFTGIESSEREI STUTTGART, (no title), nd | 9½x6¼ (C-3) |
| WENTZ, Roby:Eleven Western Presses, Printing House Craftsmen 1956 | 12x9 (B-1) |
| WEST VIRGINIA PULP & PAPER: A Typographic Quest No. 1 | 9x5¼ 28+C in env (A-1) |
| WESTERN PENNSYLVANIA CONSERVANCY: Wild Flowers of Western Pa 1979 | 9x12v 24+C (A-5) |
| WESTERN PENNSYLVANIA CONSERVANCY: Wild Flowers of Western Pa 1978 | 9x12v 24+C (A-5) |
| WESTINGHOUSE PRINTING DIVISION: Type Specimens 1973 | 8½x4 18++C (A-1) |
| WESTINGHOUSE PRINTING DIVISION: Type Specimens 1973 | 18+C (A-4) |
| WESTINGHOUSE: Stenographer's Handbook, Westinghouse E&M Co 1943 | 8½x5½ (B-3) |
| WESTVACO: A Typographic Quest No. 6, Etcetera 1968 | 9x5¼ 32+C (A-3) |
| WESTVACO: A Typographic Quest No. 3, Type to be Read 1965 | 32+C; Alphacast scale laid in (A-4) |
| WILLENS & CO, Detroit: Mighty Midget Book of Type c1963 | 9½x6¼h 291 LL (A-1) |
| WILLENS & CO, Detroit: One Line Type Specimen Book c1966 | 9½x6¼h plastic (A-1) |
| WILLENS & CO, Detroit: 1-Line Type Specimen Book 1961 | 9¼x4 56+C |
| WILLENS & Co: Americana, Detroit nd | 11x10 (B-1) |
| WILLIAMSBURG; The Printer in 18th Century Wmsburg, Colonial Wmsburg 1978 | 9x6 (B-1) |
| WULLING, EMERSON G: A Comp's Eye View of Wilder Bentley 1983 | 10x6¼ 20+C (A-5) |
| YOUNGSTOWN SHEET & TUBE: 50 Years in Steel, Youngstown 1950 (des by MFM) | 10x7 (B-1) |
| ZAPF, Hermann: Manuale Typographicum, MIT Press, 1970 | 6½x9½ (horiz) (B-3) |
| ZAPF, Hermann: Hunt Roman, the Birth of a Type, Pittsburgh Bibliophiles, 1965 | 7x9½ (horiz) (B-3) |